Editing began while still in production. Eight months after principle photography wrapped, our first editor vanished. Wofford promptly replaced her with a new editor, who then started over from scratch.

This proved to be a blessing in disguise, because through this setback we found Matt Ludvino, whose vision with the edit actually re-structured the narrative, and improved the film immensely. As of March 1st, the rough cut is 70% completed, and editing continues.

Aaron Meicht has been brought on to compose the score, and Chuck Previtire is providing his services as music supervisor.

Check back again soon for more post-production updates. For now, enjoy the photo gallery.